Exploring the intersections of cinema
François Truffaut, known as "The Gravedigger of French Cinema" during his time as a critic, is the focal point of this episode and the turning point of our series on the French New Wave. Alex and Jonathan discuss three of his many films, Shoot the Piano Player (1960), Jules et Jim (1962), and Day for… Continue reading Ep 160. CAHIERS DU CINÉMA: François Truffaut
As we begin our dive into the directors of the French New Wave, Alex and Jonathan take a look at one of the primary disrupters from this heavily disruptive period of cinema history, the singular Jean-Luc Godard. Through three of his classic films – Vivre sa vie (1962), Band of Outsiders (1964), and Pierrot le… Continue reading Ep 158. CAHIERS DU CINÉMA: Jean-Luc Godard
As we continue our journey through the history of the western genre, Alex and Jonathan take a detour to Japan to discuss an era of chanbara (samurai) films that bridge the gap from classic westerns to spaghetti westerns. We're talking about Samurai I: Musashi Miyamoto (1954), Sanjuro (1962), The Sword of Doom (1966). We discuss… Continue reading Ep 150. WESTERNS 101: Westerns of the Rising Sun
When discussing the history of the Western genre, there is no escaping the name or work of John Ford, so today Alex and Jonathan dive in to three of Ford's landmark films: My Darling Clementine (1946), The Searchers (1956), The Man Who Shot Liberty Valance (1962). We talk about the ways Western films elevate actual… Continue reading Ep 149. WESTERNS 101: John Ford’s Golden Era
Our Patrons voted on which of the directors we touched on in our Season 1 World Tour we should do a deep dive on and the winner was the essential Japanese director Yasujirô Ozu. We look at his films Late Spring (1949), Floating Weeds (1959), and An Autumn Afternoon (1962). We talk about the common… Continue reading Episode 116. …Ozu
The Filmlings 