Exploring the intersections of cinema
To wrap up the tragedy series, Alex and Jonathan look at three films characterized by the ways in which the characters' difference of perspectives causes the primary conflict in part or whole: A Woman Under the Influence (1974), The Elephant Man (1980), and The Farewell (2019). We discuss whether or not the term "tragedy" is… Continue reading Ep 167. TRAGEDIES of Misunderstanding
As we move into stories of interpersonal tragedies, today Alex and Jonathan discuss three films which deal with themes of betrayal as it applies to family relationships, as in Tokyo Twilight (1957), romantic relationships, as in In the Mood for Love (2000), and friends/allies, as in RRR (2022). We discuss Aristotle's concept of discovery, the… Continue reading Ep 166. TRAGEDIES of Betrayal
In one of the saddest episodes of the show (besides Episode 105), Alex and Jonathan look at films in which the protagonists struggle to navigate circumstances outside of their control with three tragedy classics: Ikiru (1952), Grave of the Fireflies (1988), and Titanic (1997). We discuss Aristotle's conception of the reversal of fortune – known… Continue reading Ep 165. TRAGEDIES of Fate
From power to societal marginalization to prejudicial greed, in this episode Alex and Jonathan talk about three films in which the subject characters are faced with various forms of injustice: The Passion of Joan of Arc (1928), Umberto D. (1952), and Killers of the Flower Moon (2023). We discuss the ways tragedy films evoke feelings… Continue reading Ep 164. TRAGEDIES of Injustice
The downfall. The tragic flaw. Today Alex and Jonathan kick off a new series about tragic cinema with three stories where the protagonist is ultimately responsible for their own misery: The Magnificent Ambersons (1942), Brief Encounter (1945), and Tár (2022). We discuss Aristotle's six elements of tragedy, why tragedy doesn't necessarily have to have a… Continue reading Ep 163. TRAGEDIES of Self
The Filmlings 