Exploring the intersections of cinema
The last of the Cahiers du Cinéma critics-turned-directors to discuss is Jacques Rivette. Alex and Jonathan take a look at his films Paris Belongs to Us (1961), L'amour fou (1969), and Céline and Julie Go Boating (1974) and discuss Rivette's obsession with the individual aspects of cinema, his blend of cinematic instinct and collaborative improvisation,… Continue reading Ep 162. CAHIERS DU CINÉMA: Jacques Rivette
One of the less well-known of the Cahiers contributors, but also one of the first to break into directing, Claude Chabrol is the subject of this week's deep dive in which Alex and Jonathan talk about his films Le beau Serge (1958), Les cousins (1959), and Les bonnes femmes (1960). We discuss Chabrol's role in… Continue reading Ep 161. CAHIERS DU CINÉMA: Claude Chabrol
François Truffaut, known as "The Gravedigger of French Cinema" during his time as a critic, is the focal point of this episode and the turning point of our series on the French New Wave. Alex and Jonathan discuss three of his many films, Shoot the Piano Player (1960), Jules et Jim (1962), and Day for… Continue reading Ep 160. CAHIERS DU CINÉMA: François Truffaut
Author, critic, teacher, moralist, and editor of Cahiers du Cinéma, Éric Rohmer is this month's featured director from the French New Wave. Alex and Jonathan look at three of the six films Rohmer directed based on a series of his own short stories called the "Moral Tales" – My Night at Maud's (1969), Claire's Knee… Continue reading Ep 159. CAHIERS DU CINÉMA: Éric Rohmer
As we begin our dive into the directors of the French New Wave, Alex and Jonathan take a look at one of the primary disrupters from this heavily disruptive period of cinema history, the singular Jean-Luc Godard. Through three of his classic films – Vivre sa vie (1962), Band of Outsiders (1964), and Pierrot le… Continue reading Ep 158. CAHIERS DU CINÉMA: Jean-Luc Godard
To kick off a new series of episodes that will give an overview of the history of the western genre, Alex and Jonathan start off by talking about three early western films from the pre-sound era: The Testing Block (1920), Sky High (1922), and The Iron Horse (1924). We discuss the development of both the… Continue reading Ep 148. WESTERNS 101: The Silent Era
Another legend of Hollywood's Golden Age is the spotlight for this episode as Alex and Jonathan talk about some of the classic works of Otto Preminger: Laura (1944), Bonjour Tristesse (1958), Anatomy of a Murder (1959), and Bunny Lake is Missing (1965). We discuss how Preminger builds character driven narrative through visuals, his real and… Continue reading Episode 143. Pugnacious Preminger
Sit back and enjoy the ride as Alex and Jonathan talk through the road-trip style films of Abbas Kiarostami in Where Is the Friend's House? (1987), And Life Goes On (1992), Through the Olive Trees (1994), and Taste of Cherry (1997). We discuss the way Kiarostami blends truth and fiction, how he uses long takes… Continue reading Episode 142. Kiarostami’s Koker
One of the masters of world cinema, Japanese director Masaki Kobayashi, is the focus of today's episode as Alex and Jonathan talk through his epic trilogy The Human Condition I: No Greater Love (1959), The Human Condition II: Road to Eternity (1959), and The Human Condition III: A Soldier's Prayer (1961), as well as his… Continue reading Episode 134. Master Masaki
From skateboard videos to high-budget science-fiction drama, today Alex and Jonathan track the career of Spike Jonze through his feature films Being John Malkovich (1999), Adaptation. (2002), Where the Wild Things Are (2009), and Her (2013). We talk about the building of themes and structure in meta filmmaking, what makes interesting protagonists, and the variety… Continue reading Episode 133. Surreal Spike
Travelling back to the Golden Age, Alex and Jonathan take a look at one of the early masters of the budding film medium, Ernst Lubitsch, through his films Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942), and Heaven Can Wait (1943). We discuss Lubitsch's history as a German… Continue reading Episode 128. Long Live Lubitsch
The Patrons voted on what contemporary female director we should talk about and the winner was Scottish filmmaker Lynne Ramsay! So today Alex and Jonathan talk about her films Ratcatcher (1999), We Need to Talk About Kevin (2011), and You Were Never Really Here (2017). We discuss Ramsay's very personal and close-to-home debut feature, the… Continue reading Episode 121. Rueful Ramsay
Following up on Episode 109 about team sports, Alex and Jonathan step into the ring and tackle three films about individual sports: Rocky (1976), Chariots of Fire (1981), and The Rider (2017). We discuss what makes an underdog story so powerful, when a sports movie falls short of being greater than the sum of its… Continue reading Episode 117. Silver Screen Sports: Individual Glory
Our Patrons voted on which of the directors we touched on in our Season 1 World Tour we should do a deep dive on and the winner was the essential Japanese director Yasujirô Ozu. We look at his films Late Spring (1949), Floating Weeds (1959), and An Autumn Afternoon (1962). We talk about the common… Continue reading Episode 116. …Ozu
Near the end of the American New Wave a group of filmmakers burst on Hollywood with a distinct style and they have since been named "The Movie Brats." Today Alex and Jonathan discuss three films from this group: Jaws (1975), Apocalypse Now (1979), The Untouchables (1987). We talk about how Golden Age Hollywood and the… Continue reading Episode 114. The Movie Brats and the Modern Blockbuster
Music and movies have always been linked, but today Jason Harden joins the show once again to talk with Alex and Jonathan about three films which detail the life of three modern music legends, What's Love Got to Do with It (1993), Ray (2004), and Love & Mercy (2014). We talk about when depicting a… Continue reading Episode 113. Music and Manipulation Feat. Jason Harden
From acting, to starting her own production company, to directing both film and television, Alex and Jonathan take a look at the extensive career of Ida Lupino in Hollywood's golden age through her work in High Sierra (1941), The Hitch-Hiker (1953), and The Trouble with Angels (1966). We discuss her popular acting persona as the… Continue reading Episode 112. Mother Lupino
Dorothy Arzner is one of the largest names in the history of Hollywood's female directors, so today Alex and Jonathan look at the themes and relationships in her films Get Your Man (1927), Merrily We Go to Hell (1932), and Dance, Girl, Dance (1940). We talk about how romance differs in Arzner's films from other… Continue reading Episode 111. Dorothy Arzner’s Due
Continuing through our exploration of WWII, Alex and Jonathan turn the focus to the civilian level in Europe and look at the dramatic films Paisan (1946), Army of Shadows (1969), and Schindler's List (1993). We discuss the uniqueness of films being made in the immediate aftermath of the war, the difference in tone between war… Continue reading Episode 104. WWII: Drama
To end the fourth season of the show Alex and Jonathan talk about three films that relate to Christmas but might not be considered your traditional "Christmas movie:" Gremlins (1984), Lethal Weapon (1987), and Hook (1991). We talk about what really makes a Christmas movie, how formerly niche genres have slowly crept into the mainstream… Continue reading Episode 100. Not Quite Christmas
After nearly a hundred episodes, Alex and Jonathan finally get around to some of the biggest films in cinema history, specifically in the romance genre. We take a look at Gone with the Wind (1939), Casablanca (1942), and West Side Story (1961) and discuss the effect of the studio system on large budget productions, elements… Continue reading Episode 99. You’ve Probably Heard of this One Before
Our Patreon family has come together to choose the topic this week, so Alex and Jonathan are looking at just that, family, in The Royal Tenenbaums (2001), The Incredibles (2004), and The Road (2009). We talk about dysfunctional families, the way films help us to open up and become closer to our family, and the… Continue reading Episode 86. Family Feud [Video]
Revenge is a universal motivator and today Alex and Jonathan take a look at how it also works to create great stories in Lady Snowblood (1973), Memento (2000), and The Revenant (2015). We talk about the various conclusions about revenge in each movie, creating films that transcend gimmicks, and revenge as an "archegenre" that can… Continue reading Episode 85. Wreaking Revenge
As a follow up to last season's episode on classic film noir, Alex and Jonathan travel through the evolution of the modern subgenre of neo-noir in The Long Goodbye (1973), L.A. Confidential (1997), and Drive (2011). We discuss ways that noir themes cross over into neo-noir, the ways neo-noir uses violence, and the changing aesthetics… Continue reading Episode 84. The New Noir
In the first of a series of episodes focusing on the cinematic contributions of female directors, Alex and Jonathan look at the career of Sofia Coppola in The Virgin Suicides (1999), Lost in Translation (2003), and The Beguiled (2017). We talk about Coppola's atmospheric style, the way she presents the relationship between men and women… Continue reading Episode 83. Films de Femmes: Sofia Coppola
The Filmlings 