Exploring the intersections of cinema
From power to societal marginalization to prejudicial greed, in this episode Alex and Jonathan talk about three films in which the subject characters are faced with various forms of injustice: The Passion of Joan of Arc (1928), Umberto D. (1952), and Killers of the Flower Moon (2023). We discuss the ways tragedy films evoke feelings… Continue reading Ep 164. TRAGEDIES of Injustice
The last of the Cahiers du Cinéma critics-turned-directors to discuss is Jacques Rivette. Alex and Jonathan take a look at his films Paris Belongs to Us (1961), L'amour fou (1969), and Céline and Julie Go Boating (1974) and discuss Rivette's obsession with the individual aspects of cinema, his blend of cinematic instinct and collaborative improvisation,… Continue reading Ep 162. CAHIERS DU CINÉMA: Jacques Rivette
One of the less well-known of the Cahiers contributors, but also one of the first to break into directing, Claude Chabrol is the subject of this week's deep dive in which Alex and Jonathan talk about his films Le beau Serge (1958), Les cousins (1959), and Les bonnes femmes (1960). We discuss Chabrol's role in… Continue reading Ep 161. CAHIERS DU CINÉMA: Claude Chabrol
François Truffaut, known as "The Gravedigger of French Cinema" during his time as a critic, is the focal point of this episode and the turning point of our series on the French New Wave. Alex and Jonathan discuss three of his many films, Shoot the Piano Player (1960), Jules et Jim (1962), and Day for… Continue reading Ep 160. CAHIERS DU CINÉMA: François Truffaut
Author, critic, teacher, moralist, and editor of Cahiers du Cinéma, Éric Rohmer is this month's featured director from the French New Wave. Alex and Jonathan look at three of the six films Rohmer directed based on a series of his own short stories called the "Moral Tales" – My Night at Maud's (1969), Claire's Knee… Continue reading Ep 159. CAHIERS DU CINÉMA: Éric Rohmer
As we begin our dive into the directors of the French New Wave, Alex and Jonathan take a look at one of the primary disrupters from this heavily disruptive period of cinema history, the singular Jean-Luc Godard. Through three of his classic films – Vivre sa vie (1962), Band of Outsiders (1964), and Pierrot le… Continue reading Ep 158. CAHIERS DU CINÉMA: Jean-Luc Godard
For the final episode of the fairy tale series, Alex and Jonathan take a look at three films that transpose classic fairy tale stories onto the setting of the modern day: The Red Shoes (1948), Ponyo (2008), and Undine (2020). We discuss how fairy tale elements can help us look at the ordinary parts of… Continue reading Ep 157. FILMS OF FAERIE 5: Fairy Tales in the Modern Day
For as long as fairy tales have been recorded there has been a debate about whether or not they should be modified for children, so today Alex and Jonathan take up the negative side of the discussion with a look at three films with fairy tale elements that are not Disney's idea of kid-friendly: Beauty… Continue reading Ep 155. FILMS OF FAERIE 3: Fairy Tales are NOT for Kids
A huge portion of the modern idea of what a western is can be traced back to an Italian director with an appreciation for samurai films, Sergio Leone. Today Alex and Jonathan look at his influence on the spaghetti western sub-genre with For a Few Dollars More (1965), Once Upon a Time in the West… Continue reading Ep 151. WESTERNS 101: Sergio’s Spaghetti
As we continue our journey through the history of the western genre, Alex and Jonathan take a detour to Japan to discuss an era of chanbara (samurai) films that bridge the gap from classic westerns to spaghetti westerns. We're talking about Samurai I: Musashi Miyamoto (1954), Sanjuro (1962), The Sword of Doom (1966). We discuss… Continue reading Ep 150. WESTERNS 101: Westerns of the Rising Sun
Sit back and enjoy the ride as Alex and Jonathan talk through the road-trip style films of Abbas Kiarostami in Where Is the Friend's House? (1987), And Life Goes On (1992), Through the Olive Trees (1994), and Taste of Cherry (1997). We discuss the way Kiarostami blends truth and fiction, how he uses long takes… Continue reading Episode 142. Kiarostami’s Koker
The epic drama and action of director John Woo carries us away this month as Alex and Jonathan talk about The Killer (1989), Hard Boiled (1992), Face/Off (1997), and Red Cliff (2008). We talk about his pioneering of the "Honorable Bloodshed" genre, his distinct stylistic and thematic trademarks, and his continuing legacy on many modern… Continue reading Episode 139. The Dove Says Woo
One of the masters of world cinema, Japanese director Masaki Kobayashi, is the focus of today's episode as Alex and Jonathan talk through his epic trilogy The Human Condition I: No Greater Love (1959), The Human Condition II: Road to Eternity (1959), and The Human Condition III: A Soldier's Prayer (1961), as well as his… Continue reading Episode 134. Master Masaki
In another deep dive into a fairly narrow sub-genre, Alex and Jonathan crack the code on heist films by looking at Rififi (1955), Ocean's Eleven (1960), and Inception (2010). We talk about the origins and draw of heist films, the way the activity of a heist lends itself to storytelling, and how to modify the… Continue reading Episode 123. One Last Job
As a contrast to the majority of Indian film covered on the podcast so far, today Alex and Jonathan look at the works of Satyajit Ray in Pather Panchali (1955), Charulata (1964), and Nayak: The Hero (1966). We discuss what makes Ray stand out from other Indian films we've covered, how Ray is able to… Continue reading Episode 122. Subtle Satyajit
The seemingly small but poignant movement of the Taiwanese New Wave is in the spotlight today as Alex and Jonathan take a look at A City of Sadness (1989), Eat Drink Man Woman (1994), Yi Yi (2000). We discuss the atmospheric tone of the films, the introduction of humor to the second Taiwanese new wave,… Continue reading Episode 118. Taiwanese New Wave
Our Patrons voted on which of the directors we touched on in our Season 1 World Tour we should do a deep dive on and the winner was the essential Japanese director Yasujirô Ozu. We look at his films Late Spring (1949), Floating Weeds (1959), and An Autumn Afternoon (1962). We talk about the common… Continue reading Episode 116. …Ozu
There haven't been a lot of movies about pandemics, yet, but today Alex and Jonathan take a look at the various ways they have been done in the past, specifically in Outbreak (1995), Contagion (2011), and Flu (2013). We talk about the ways pandemic movies suffer from not having a defined genre, what they might… Continue reading Episode 108. Pandemic Panic
Friend of the podcast Aaron Johnson joins the show today to talk about three animated films from Europe about various animals: Watership Down (1978), The Plague Dogs (1982), and Felidae (1994). We discuss how animals are used to depict very mature thematic stories, the distinction between Martin Rosen's animation style and the classic Disney look,… Continue reading Episode 107. Brutal Beasts Feat. Aaron Johnson
As the WWII series comes to a close Alex and Jonathan take a very somber look at three documentaries looking back on the war — specifically in the areas of the Holocaust and the atomic bombing of Japan — in Night and Fog (1956), Shoah (1985), and White Light/Black Rain (2007). We discuss the different… Continue reading Episode 105. WWII: Reflection
Continuing through our exploration of WWII, Alex and Jonathan turn the focus to the civilian level in Europe and look at the dramatic films Paisan (1946), Army of Shadows (1969), and Schindler's List (1993). We discuss the uniqueness of films being made in the immediate aftermath of the war, the difference in tone between war… Continue reading Episode 104. WWII: Drama
Continuing our series focusing on female filmmakers, Alex and Jonathan take a look at the narrative and documentary career of French New Wave pioneer Agnes Varda in her films Le Bonheur (1965), The Gleaners & I (2000), and Faces Places (2017). We talk about Varda's capacity for biting social commentary, her empathy for her documentary… Continue reading Episode 89. Films de Femmes Deux: Agnes Varda
When it comes to post-sound era physical comedy, Jacques Tati's character Monsieur Hulot is an inspiration that still resounds today. Alex and Jonathan take a look at the complex scenarios created in Monsieur Hulot's Holiday (1953), Playtime (1967), and Trafic (1971). We talk about traits of the Hulot character, how Tati built a miniature city, and how he is… Continue reading Episode 70. Tricky Tati
The Filmlings 