Exploring the intersections of cinema
The last of the Cahiers du Cinéma critics-turned-directors to discuss is Jacques Rivette. Alex and Jonathan take a look at his films Paris Belongs to Us (1961), L'amour fou (1969), and Céline and Julie Go Boating (1974) and discuss Rivette's obsession with the individual aspects of cinema, his blend of cinematic instinct and collaborative improvisation,… Continue reading Ep 162. CAHIERS DU CINÉMA: Jacques Rivette
One of the less well-known of the Cahiers contributors, but also one of the first to break into directing, Claude Chabrol is the subject of this week's deep dive in which Alex and Jonathan talk about his films Le beau Serge (1958), Les cousins (1959), and Les bonnes femmes (1960). We discuss Chabrol's role in… Continue reading Ep 161. CAHIERS DU CINÉMA: Claude Chabrol
François Truffaut, known as "The Gravedigger of French Cinema" during his time as a critic, is the focal point of this episode and the turning point of our series on the French New Wave. Alex and Jonathan discuss three of his many films, Shoot the Piano Player (1960), Jules et Jim (1962), and Day for… Continue reading Ep 160. CAHIERS DU CINÉMA: François Truffaut
Author, critic, teacher, moralist, and editor of Cahiers du Cinéma, Éric Rohmer is this month's featured director from the French New Wave. Alex and Jonathan look at three of the six films Rohmer directed based on a series of his own short stories called the "Moral Tales" – My Night at Maud's (1969), Claire's Knee… Continue reading Ep 159. CAHIERS DU CINÉMA: Éric Rohmer
As we begin our dive into the directors of the French New Wave, Alex and Jonathan take a look at one of the primary disrupters from this heavily disruptive period of cinema history, the singular Jean-Luc Godard. Through three of his classic films – Vivre sa vie (1962), Band of Outsiders (1964), and Pierrot le… Continue reading Ep 158. CAHIERS DU CINÉMA: Jean-Luc Godard
Continuing our series focusing on female filmmakers, Alex and Jonathan take a look at the narrative and documentary career of French New Wave pioneer Agnes Varda in her films Le Bonheur (1965), The Gleaners & I (2000), and Faces Places (2017). We talk about Varda's capacity for biting social commentary, her empathy for her documentary… Continue reading Episode 89. Films de Femmes Deux: Agnes Varda
Following on the heels of Italian Neorealism came the French New Wave, so Alex and Jonathan take a trip to France and discuss three films from this explosive movement: The 400 Blows (1959), Breathless (1960), and Cleo from 5 to 7 (1962). We talk about stylistic innovations, semi-autobiographical filmmaking, and the origins of auteur theory. https://youtu.be/OY0F9TMMygk?si=MV5S_F2prKs_7Hxj https://open.spotify.com/episode/4CJK6AQRIO6W7JQ04359fH?si=E7piDjVwRRCWez4MW058Fw Also on iTunes… Continue reading Ep 25. WORLD TOUR: France Fraiche
The Filmlings 