Exploring the intersections of cinema
With the arrival of sound in Hollywood, a new subgenre of comedy arose, so today Alex and Jonathan discuss the history of the "screwball comedies" while looking at Trouble in Paradise (1932), His Girl Friday (1940), and Some Like it Hot (1959). We talk about how screwballs differed from standard romantic comedies, the emphasis on… Continue reading Ep 169. COMEDY CINEMA 2: The Screwballs
In one of the saddest episodes of the show (besides Episode 105), Alex and Jonathan look at films in which the protagonists struggle to navigate circumstances outside of their control with three tragedy classics: Ikiru (1952), Grave of the Fireflies (1988), and Titanic (1997). We discuss Aristotle's conception of the reversal of fortune – known… Continue reading Ep 165. TRAGEDIES of Fate
The last of the Cahiers du Cinéma critics-turned-directors to discuss is Jacques Rivette. Alex and Jonathan take a look at his films Paris Belongs to Us (1961), L'amour fou (1969), and Céline and Julie Go Boating (1974) and discuss Rivette's obsession with the individual aspects of cinema, his blend of cinematic instinct and collaborative improvisation,… Continue reading Ep 162. CAHIERS DU CINÉMA: Jacques Rivette
One of the less well-known of the Cahiers contributors, but also one of the first to break into directing, Claude Chabrol is the subject of this week's deep dive in which Alex and Jonathan talk about his films Le beau Serge (1958), Les cousins (1959), and Les bonnes femmes (1960). We discuss Chabrol's role in… Continue reading Ep 161. CAHIERS DU CINÉMA: Claude Chabrol
François Truffaut, known as "The Gravedigger of French Cinema" during his time as a critic, is the focal point of this episode and the turning point of our series on the French New Wave. Alex and Jonathan discuss three of his many films, Shoot the Piano Player (1960), Jules et Jim (1962), and Day for… Continue reading Ep 160. CAHIERS DU CINÉMA: François Truffaut
Author, critic, teacher, moralist, and editor of Cahiers du Cinéma, Éric Rohmer is this month's featured director from the French New Wave. Alex and Jonathan look at three of the six films Rohmer directed based on a series of his own short stories called the "Moral Tales" – My Night at Maud's (1969), Claire's Knee… Continue reading Ep 159. CAHIERS DU CINÉMA: Éric Rohmer
As we begin our dive into the directors of the French New Wave, Alex and Jonathan take a look at one of the primary disrupters from this heavily disruptive period of cinema history, the singular Jean-Luc Godard. Through three of his classic films – Vivre sa vie (1962), Band of Outsiders (1964), and Pierrot le… Continue reading Ep 158. CAHIERS DU CINÉMA: Jean-Luc Godard
Kicking off season 6 of the podcast, Alex and Jonathan take a look at the films and careers of two oft-paired star performers: Fred Astaire and Ginger Rogers. We look at their films The Gay Divorcee (1934), Shall We Dance (1937), and The Barkleys of Broadway (1949), and discuss the history of each performer, the… Continue reading Episode 137. Rogers-Astaire
To wrap up Season 5 of the podcast Alex and Jonathan talk about another one of the hard-working directors of Hollywood's Golden Age, William Wyler. We're looking at four of his post-war films, The Best Years of Our Lives (1946), Roman Holiday (1953), Ben-Hur (1959), and The Collector (1965) and discussing how Wyler's war experience… Continue reading Episode 136. Wyler, Not Wilder
Today Alex and Jonathan ask "How did Billy do it?" as we dive into the work and career of Golden Age director Billy Wilder through his films Sunset Boulevard (1950), Stalag 17 (1953), Sabrina (1954), and The Apartment (1960). We discuss the way Wilder turns a mirror back on Hollywood, the influence Ernst Lubitsch and… Continue reading Episode 135. Wilder, Not Wyler
Travelling back to the Golden Age, Alex and Jonathan take a look at one of the early masters of the budding film medium, Ernst Lubitsch, through his films Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942), and Heaven Can Wait (1943). We discuss Lubitsch's history as a German… Continue reading Episode 128. Long Live Lubitsch
For the first episode of season 5, Alex and Jonathan take a look at the many and on-going adaptations of the works of Jane Austen. The specific adaptations we'll be talking about are Sense and Sensibility (1995), Northanger Abbey (2007), Love & Friendship (2016), and Emma. (2020). We discuss the changing style of period pieces,… Continue reading Episode 126. Adapting Austen
Dorothy Arzner is one of the largest names in the history of Hollywood's female directors, so today Alex and Jonathan look at the themes and relationships in her films Get Your Man (1927), Merrily We Go to Hell (1932), and Dance, Girl, Dance (1940). We talk about how romance differs in Arzner's films from other… Continue reading Episode 111. Dorothy Arzner’s Due
Our Patrons recently voted on what two oft-paired actors we should cover and decided on Tom Hanks and Meg Ryan! Alex and Jonathan talk about the only three films starring the two: Joe Versus the Volcano (1990), Sleepless in Seattle (1993), and You've Got Mail (1998) and discuss the evolution of romantic comedies in the… Continue reading Episode 106. Tom Hanks and Meg Ryan and Meg Ryan and Meg Ryan
After nearly a hundred episodes, Alex and Jonathan finally get around to some of the biggest films in cinema history, specifically in the romance genre. We take a look at Gone with the Wind (1939), Casablanca (1942), and West Side Story (1961) and discuss the effect of the studio system on large budget productions, elements… Continue reading Episode 99. You’ve Probably Heard of this One Before
The Filmlings 